ゆづくん大好き
Can't help but love his skating, his artistry, his cuteness, his character, his love for his country, his life story, everything.
[I translate and post about things that touch my heart. Do not use nor repost my blog material without my permission]
Continuing Kikuchi-sensei’s book ‘Strongly, beautifully….’
The last chapter of his book is more about his other experiences as a trainer and less about Yuzu, so I have translated just some excerpts from it. :)
Chapter 5. Listening to the sound of your body [excerpts]
5.1 If (you) lose, it’s the trainer’s responsibility
Yuzuru the recipient of People’s Honour Award, or Yuzuru the gold medalist, to me, he is just Yuzuru. Not changed from the time I met him when he was 8 years old. Because he became passionate about something and works hard at it, I just wanted to do something for him.
Do something for the children who are working hard—-. For athletes who are giving their best efforts to train hard, I just want to help them to be able to give their best at the actual competition time.
[this paragraph is summarised] Since 5 years ago, I have been the trainer for a unicycle club in Iwate prefecture. A unicycle competition team is made up of 10 female middle school and high school students and they do spins and other well-coordinated movements with music. I accompany them for competitions like the Japan National Unicycling Competition.
Whether it’s the Olympics or nationals or regionals, it doesn’t matter. Whatever the competition, I just want to give some support to these children who have been working so hard, so that they can do their best at competition time. That is my only thought.
My policy as a trainer is : “If the athlete has good results, it’s due to their efforts.” This is what I tell Yuzuru before a performance. "If you win, it’s due to your hard work. If you lose, it’s my responsibility. So just go boldly and do it!“
And not only to Yuzuru. To the girls who go for unicycle competitions, I say the same thing.
——————-
5.4 Communication that uses the 5 senses
When Yuzuru goes for a competition, his physical condition is at a high level. Because he is a professional athlete, he regulates his mind and body to bring it to a peak of conditioning at the competition. What I can do is to keep it at that high level right up to the actual moment of competing. Or even if it goes down, to keep it to as little as possible.
[rest of section is about golf and preparing for competition in general]
—————–
Note: Apologies for an error when I translated the first chapter. What Kikuchi-sensei practised in his youth was not Shaolin Kungfu 少林拳 but ’Shorinji Kempo’ 少林寺拳法 , a Japanese martial art inspired by Shaolin Kungfu. I did not realise it earlier because the name in kanji is similar. 'Shorin-ji kempo’ is the Japanese pronunciation of the name and it literally means "Shaolin temple fist method”.
——————
5.7 The power to change an unruly youth
In elementary school, I was a mischievous kid and I was bad at sports. In races, I was always last or 2nd last. Even so, I still had the big dream of “I want to go to the Olympics!” I feel embarrassed just recalling this.
In middle school, on the advice of my elder brother, I joined the table-tennis club. But the training was just running round the school grounds. Thanks to that, I became good at running. As a result, by the time I graduated from middle school, I had become good at most sports. I learned that the foundation for sports is running.
Because of my father’s job, I often changed schools. Transfer students usually attracted some attention and were often bullied. Being separated from friends and having to look for buddies in a new world all over again, I got very tired of that and gradually became more and more unruly…… I caused a lot of trouble for the teachers at that time.
I started high school in that way, and then I met a teacher who was just like those enthusiastic and passionate teachers in the pictures, and my life had a big change.
That new teacher, who had practised Shorinji Kempo (t/n. martial arts) in university, soon noticed unruly me. In the name of “discipline and guidance”, he gave me a good beating-up. (laugh) A short time later, he asked me, “Hey you, I’m going to start a Shorinji Kempo Club, want to join?” Planning for myself to take revenge one day, I joined the club.
But that teacher had great personal charisma. He tried hard to reform me, and slowly, he gained my trust. Soon, there was a change in the way I spoke. I started to use polite speech to teachers. The threatening look in my eyes was gone. The way I walked also became normal….. "Kikuchi seems somewhat changed" became a topic in the teachers’ room, I heard.
When it was time to think about universities, due to my bad conduct in the first year of high school, I could not get the letter of recommendation needed for entry to universities. That teacher objected to the school’s policy. "Everyone has made mistakes before. But he has turned over a new leaf. This (school policy) makes no sense!“ Other teachers also became involved, "If Kikuchi is not given a recommendation, let’s remove the recommendations for other students as well,” they protested on my behalf.
That person devoted great efforts towards me, he did his very best for me. That is why I changed. Thanks to that teacher, at the graduation ceremony, I received the award for Most Outstanding Student.
From that teacher, I learned that people can change. And also, to change a person, it is necessary to pour your heart and soul into it. As a trainer, as a therapist, when I take care of athletes and patients, this is something that I never forget, my own beginning.
Continuing Kikuchi-sensei’s book ‘Strongly, beautifully,….’
Chapter 3
3.4 Looking at deviations of the torso 3.5 Icing as a recovery method (not translating these 2 sections; I may come back to do them after I have done the parts that interest me most.)
3.6 Experiencing the world’s stage as trainer
The season after Sochi Olympics, that is, 2014-15 season. It was hard for Yuzuru to get into good condition. The 1st competition, Finlandia Trophy, he withdrew because of back pain. Yuzuru was in Canada and I did not know of his injury. I only knew about it from the news.
But, one week before GP series Cup of China, held in November 2014 in Shanghai, I received a message on my smartphone.
“Sensei, can you come to the competition in Shanghai please?” “Didn’t you say that the Canadian trainer will accompany you?” I replied. After a while, “Sensei, come to Shanghai and do treatment for me please….?”
Because in the previous season, he had told me, “For competitions in Japan, please may I have your care, but for overseas competitions, the trainer in Canada will go with me, is that alright?” Perhaps he felt a sense of guilt. He was probably fiddling with Pooh-san’s ear and hesitating for some time before sending the message.
“Alright, I understand. I will be there,” I replied. I cancelled all my plans for the week ahead and went to Shanghai.
After a long absence, when I touched his legs, I felt the confirmation of his evolution, and also, in my heart, I felt some sense of relief that I could do treatment for Yuzuru again.
2014 December, GP series NHK Trophy in Osaka. Yuzuru, far from ideal condition, headed for competition. His short programme was only 78.01, and with scores lower than any he had in recent time, he finished in 4th place. He managed to qualify for the GP Final in Barcelona which was for only the top skaters of the GP series.
Right after NHK Trophy was over, Yuzuru came to my hotel room.
“Sensei, can you also come with me for the Final?” he said. “Oh? For Europe, the other sensei (Canada) will go with you, didn’t you say that?” I was also being mean. “But, sensei,……..” his eyes made the plea. “Ah, seems like it’s unavoidable, shall I go to Spain and see Sagrada Familia as well?”
In this way, I was called back to be Yuzuru’s personal trainer.From then on, for competitions in Japan and overseas, support for Yuzuru was done by me. Well, to him, I think it’s because he has known me since he was little, and calling me “sensei, sensei” is easy and comfortable. But to me, it became a major event that happened in my life.
3.7 PyeongChang Olympic season, starts
2017-18 season, also an Olympic season. First competition, Autumn Classic, Yuzuru had a world record score of 112.72 for his short programme, breaking the previous record which was held by himself. The media, in anticipation of a 2nd Olympic gold, saw it as a good start towards PyeongChang Olympics, but……
After Autumn Classic, I met Yuzuru; his body that had been loaded with training, headed for competition at GP series Rostelecom Cup, could not be said to be in very good condition.
That not-ideal condition indicated the pressure of a 2nd Olympic win. In summer, he was pushing himself hard and the body was very overworked. The thoughts of 'must win’ put a great burden on his legs. Putting multiple quadruple jumps into his programme layout was extremely demanding on the ankles.
I thought it was not so hard to win at PyeongChang Olympics if he maintained the level of record-breaking 2015-16 NHK Trophy and GPF. It seems his coaches also told him “you don’t have to overdo it to that extent”.
But, Yuzuru thoroughly pushes himself hard. "Not doing it, is not me" he says and continues to practise so that he can raise the level. Even if someone said “stop!” he would still continue to skate.
The Olympics becoming a heavy burden, there was not a single word of this from Yuzuru’s mouth. He did not show it even in his behaviour. But when I touched his legs, I knew. To what extent was the harsh training he had put in.
For Yuzuru who has an overabundance of fighting spirit, I felt a sense of uneasiness. Unfortunately, my premonition came true. 2017 November, GP series NHK Trophy in Osaka, during official practice, he fell on a quad lutz. The ligaments of his right foot were damaged.
After he was injured, we were talking and joking and laughing. If we did not keep the mood cheerful, Yuzuru would be too pitiful. When he fell, I knew it was a serious injury. If it was the usual sprain, my treatment could help in some way. But not this time. Yuzuru had to withdraw from NHK Trophy. The trainer from Canada and a doctor took care of him and I returned to Sendai.
A long recovery period was needed for his foot. He was absent for Japan nationals. He remained in Toronto, undergoing treatment, and prepared for the Olympics. I could not be at peace. The condition of his injury, I only knew about it from the news, as usual.
It was about a month and a half before PyeongChang Olympics. Yuzuru’s father, holding a form for registering the size of sportswear and blazer for the Japanese delegation, came to my clinic. Same as 4 years ago for Sochi Olympics. “How is Yuzuru?” I asked, but Yuzuru’s father only smiled and nodded, as he always does.
But it was definite that Yuzuru would compete at the Olympics. What I could do was, no matter what the situation, to send him into the rink in the best condition. And I was ready.
3.8 Do carefully one by one
The free skate at PyeongChang was at an earlier timing than the usual competitions, and the practice started from 8.25am. Without getting all worked up like at Sochi, I could face it calmly this time. That morning, the taping for him was completed at first try.
Yuzuru did not say anything. Of course, his foot could not be said to be in very good condition. My role was to help him get the ideal feeling that he wanted in his legs and I believe it went very well. Warming-up also had no problems.
Supporting Yuzuru’s beautiful performances are his well-trained body and senses. Elegant jumps and spins are created by his steady torso and ability to sense tiny differences. These are important for flowing movements. That is why Yuzuru is always concerned about the training of the torso and any deviations.
And so, about one year before PyeongChang Olympics, torso awareness training was introduced into the warm-up schedule. There was a video showing Yuzuru sitting on a bucket with wheels and moving around; that was one of it. People who saw it may have thought, "What is he playing?“
That is a custom-made product, a bucket-shaped chair fitted with wheels used for wheelchair basketball. To move around freely on it, one has to be very conscious of the transverse abdominal muscles that surround the abdomen, the erector spinae muscles that support the spine, and other such parts of the torso; it is a training device. It is well-known that the balance ball is effective for conditioning the torso. However, it is not enough for a torso that supports the flowing movements of figure skating. Quadruple jumps do not go directly above the head. They go forward 3 to 4 metres while rotating. And so, (thinking) can’t we condition the torso while moving forward, backward, left and right, this bucket-chair was developed.
Usually I would say "next, bucket”, and Yuzuru would sit on it and move around, like writing the character “ハ” (t/n. this is number 8 in kanji). At the warm-up of the short programme, he jokingly said, “Sensei, I’ve become good at this." For the free skate warm-up, even though I did not give the instruction, he himself went to sit on it and started moving around quietly. What he did was exactly the same as how I had pictured it in my mind.
As he often says, "When I am focused, I know very clearly what I need to do.”
The last part of warm-up was always, still in gym shoes, jumping straight up with rotations on the spot. Doing this, one will know if there is any shift in the body’s axis.
At this time, I once again felt “this guy is incredible…” and got goosebumps all over.
In the tension, there must have been countless times of feeling almost crushed by the considerable pressure. Nevertheless, he spent his days pushing himself hard, and studying and researching all that he could. And raise himself higher, refine his skills, brutally overwork his body…… 4 years of it, for the sake of this moment.
Perfectly conditioned. To Yuzuru who was heading to the middle of the rink for his free skate, the only thing I could do was to say, “(You’re) alright, so just do carefully one by one.” But I don’t know if he heard me.
Last part of Kikuchi-sensei’s book ‘Strongly, beautifully….’
The Afterword
After PyeongChang Olympic season, before 2018-19 season, I withdrew from 'Team Yuzuru’.
Right after PC Olympics, Yuzuru said, “Sensei, please continue to take care of me.” (korekara mo yoroshiku onegaishimasu) I
replied him simply, “Ah~ yes, alright.” But when I returned to Japan,
my thoughts changed. Because I do not want to be pulling back Yuzuru’s
leg any more (t/n. hold him back from achieving more).
[summarised] Both mentally and physically, I have grown too old to be a (good)
trainer for him. If his routine is messed up because of my
mistake…… He is acquiring a new quad jump. He is still evolving. I do not want to hold back Yuzuru who is moving forward. After
PC Olympics, I sent him a mail, and at the end I wrote this. “From
here on, go on walking for yourself, go forth with your own feet!”
In this book, I refer to Yuzuru Hanyu-senshu as “Yuzuru”. (t/n.
'senshu’ = polite suffix to address an athlete). This old man, calling
the world champion without a polite term – some people may be
offended by that. However, to me, Yuzuru is still the cherubic, lovable
child that he was at 8. Even though he now has the additional title of
recipient of People’s Honour Award, to me, he is still the same
Yuzuru.
Yuzuru — Thanks
to you, I could experience the magnificent occasion of sports, the
Olympics. Thank you. The Olympics that everybody wishes to just
experience once, you brought me there twice. Thank you. After
Sochi Olympics, you kept on pursuing something higher, and because of
that, even I had to keep running along. For an oldie like me, it was
very tough, to be honest. But as a therapist, my skills were polished,
and it was due to being pulled along by Yuzuru who is never satisfied
with his present situation. Really, thank you. May you continue to be
an athlete who is well-loved by many.
Numerous Yuzuru-fans, 'mina-sama’ (t/n. honorific term for 'everyone’) — Each
time that you show your support, I think “Ahh! Yuzuru has become an
athlete that receives so much love and support from such a lot of
people…” and my eyes will feel warm with tears. When I saw such support
from everyone, it made me even more determined to contribute my part as a
trainer. Please continue to give Yuzuru your support hereafter.
Former Sendai Ikuei Gakuen High School teacher 大場幸先生 (Oba-sensei) — In
the high school period when I was lost and could not trust anyone, you
taught me real courage and the importance of believing in others. Thank
you very much. Thanks to you, I became a man who can write a book
like this. Until now, I have treasured your teachings and kept them in
my heart.
[thanking some other people – not translating]
Hanyu family 'mina-sama’ — For allowing me to write a book in this way, thank you very much. The
15 years with Yuzuru was a very enjoyable time for me. Being called
twice to go for the Olympics which is a dream for anyone, I am really a
fortunate person. This feeling of gratitude is something that I will
never forget for the rest of my life. I have graduated from 'Team
Yuzuru’ but I am in the background cheering team, cheering for all of
you, praying for you. Ganbatte kudasai (best wishes).
My wife, gratitude from my heart. When
discussing with you about going with the team for the Olympics, you
said, “You arrived at this point because you were pursuing your dream,
so you should go on pursuing your dream!” You accepted my
self-indulgent ways with a smile, always, always. I was absent for long
periods of time, it must be lonely for you. So sorry. Still, every
time when I leave for a competition, you see me off with a smile, really
thank you very much. I know these words cannot fully express my
gratitude but I am happy just to be together with you. I have caused
you nothing but worries. So sorry. The rest of my life will be for
you. To say more will be too embarrassing, so I will leave that for my
last moments (laugh).
Not
as a neighbourhood therapist but as a trainer who was with Yuzuru, I
have this strong thought. That is, we do not know how a person will
turn out.
That
the 8 year-old Yuzuru I met, would win a gold medal at the Olympics in
the future, was something totally unthinkable. But, with conviction and
hard work, he became the Yuzuru of today. That
I, who was a rascal in elementary and middle school, would go for the
Olympics twice and have people calling me “sensei, sensei”, was
something that could not be imagined.
As
such, there are possibilities. Please do not crush yourself thinking
“It’s impossible for me”. People who have children may think “my child
is already this way”. But no. There are infinite possibilities. Please
do not crush the bud.
If this book can help to give that kind of “awareness” in any way, I would be very happy.
Lastly, there is something that I really want to say.
結弦!跳べ ! (Yuzuru! Jump!)
結弦!決めろ!(Yuzuru! For the win!)
2019 November, Sendai sekkotsu clinic (t/n. sekkotsu = bone-setting; a traditional Japanese medical practice like osteopathy.)
———————
On the last page:
[Author] 菊池 晃 Akira Kikuchi Born in 1956 in Miyagi prefecture. In 1990, he started “寺岡接骨院きくち”
(Teraoka Sekkotsu Clinic Kikuchi). From professional athletes to
ordinary patients, he has treated the injuries and bad conditions of
many people. He also conducts a torso-training class every Sunday night
for elementary and middle school students, in a sports centre in Sendai
city. Looking forward to supporting paralympic athletes at the Tokyo
Paralympics.
強く美しく鍛える30のメソッド (book title) (my translation: 'Strongly, beautifully, 30 methods to train’) Published: 30 Dec 2019
Much thanks to Kikuchi sensei for his book. I really enjoyed reading it and translating parts to share with Yuzu-fans. Apologies if any parts are not well translated.
(pic: 2018 Olympics, photo searched from internet, original source unknown)
Continuing Kikuchi-sensei’s book ‘Strongly, beautifully,….’
[some parts are left out or summarised]
Chapter 4 - Calm the heart, face the tension
4.1 Pain is energy source (main point: Yuzuru treats pain and pressure as a source of strength, and adversity as an opportunity for growth.)
4.2 Say out your dreams (main point: from a young age, Yuzuru has been very frank and tells the media exactly what he wants to achieve. It is one way in which he pushes himself to achieve the dreams that he has spoken about.)
The above 2 aspects of Yuzu’s character are well known to fans, so I won’t translate these parts for now. Will come back to them later.
But I summarise here another point in Part 4.1 because it will be mentioned in 4.3. (The original Japanese was like a biology lesson, haha) : Yuzuru has a well-regulated autonomic nervous system. This system has two parts: the sympathetic nervous system which is like the accelerator of a car, and the parasympathetic nervous system which is like the brakes of a car. These 2 parts are in very good balance in Yuzuru. (t/n. In English, we often say one system is in charge of “fight or flight” and the other is for “rest and digest”.)
4.3 A smile calms the heart/mind
Yuzuru is warm and friendly and has an incredible power to charm the people around him. This is probably because that child expresses his feelings to everyone, no matter who the person is. Especially when he makes a request with his lovable smiling face, you will end up thinking, “Ah~ there’s no other way, I will do it.”
Yuzuru smiles a lot. Even during warming-up, when his condition is good, he is often smiling. Before a competition, anyone would be nervous. Moreover, performing in front of such a large number of people, it would be strange if one is not nervous. In such a situation, perhaps Yuzuru naturally smiles to calm his heart and mind.
Speaking of this, 'Team Yuzuru’ was united as one to give support to achieving Yuzuru’s dream, I think this is deeply connected with Yuzuru’s smile. 'Team Yuzuru’ refers to the coaches who support Yuzuru, the choreographers, the people of JSF, the staff who takes care of his meals, and I was also a part of this team.
I felt comfortable working in 'Team Yuzuru’; the atmosphere was very good. There was nothing of the sort where each member was just thinking “I, myself”. Of course, Yuzuru is the most important. But everyone also paid attention to the needs of other staff. At PyeongChang Olympics, when I was not feeling well, they were all concerned and asked me questions like “Sensei, are you taking enough nutrition?” and “Do you have a fever?”
I think that Yuzuru’s smile is the backdrop of 'Team Yuzuru’ being so well unified. Smiling not only helps with your own autonomic nervous system, it also has the effect of relieving tension in the people around you and making the mood calm and peaceful.
Yuzuru before a performance has a very stern face, but once the performance is over, he is relieved and smiles. His face is completely changed.
After the performance, he bows to thank the fans and he is bathed in the Pooh-shower. At this time, in his autonomic nervous system, the “fight mode” sympathetic nervous system sits back, and the “relax mode” parasympathetic nervous system is activated. I think the 'on’ and 'off’ switch for that is Yuzuru’s smile.
(I love the above photo of part of 'Team Yuzuru’ with beautiful smiles. Photo credit: marked on pic, much thanks to the photographer.)
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Important note: When you see my translation as 'heart/mind’ and
sometimes just 'heart’, the original word in Japanese is 'kokoro’ 「心」. This is
the kanji for 'heart’ but it means “heart, mind, spirit, mentality,
emotions, soul”. I found this article that explains a bit more: “Kokoro
is well understood in Japanese, but difficult to explain in English,”
says Yoshikawa Sakiko, director of Kyoto University’s Kokoro Research Center.
Conceptually, it unites the notions of heart, mind, and spirit: It
sees these three elements as being indivisible from one other. […….] One
of the problems of discussing kokoro in English is that by linking
words—heart and spirit and mind—with “and,” we imply divisions that
simply don’t exist in Japanese. But in this Eastern culture, the three
aren’t intrinsically linked as one: They are one. https://qz.com/946438/kokoro-a-japanese-word-connecting-mind-body-and-spirit-is-also-driving-scientific-discovery/
————
4.4 Feelings of gratitude calm the heart/mind
“Before a competition, I always do my best to tidy up my hotel room.” Yuzuru has said this before, at a press conference.
And for sure, on trips abroad, whenever I go to Yuzuru’s room in the hotel, I am impressed that it is always kept clean and tidy. His luggage is also always neat. When going for a competition, he always makes his bed before leaving the room.
It has been said, that just keeping things tidy around you has an effect on regulating the balance of your autonomic nervous system. It seems that a person who keeps his room and things in order is also good at keeping his heart/mind in order.
So in that way, some things that Yuzuru naturally does, is actually regulating his own heart/mind.
Skating with the support of many people—. Yuzuru is very conscious of this, and so he never forgets to be grateful.
Even though he has accomplished so many great achievements, there is not a single bit of arrogance in his attitude towards others. To me, after each treatment, “arigatou-gozaimashita” he always thanks me politely. To his parents and to any staff too, words of thanks come naturally out of his mouth. To the rink of course, but also when he leaves the warm-up area, he lowers his head to that space. To his fans, his skate boots, his own legs….. To everything, he holds feelings of gratitude. And he says, “Thank you.”
“Thank you”, just saying these words, a neurotransmitter called dopamine is released in the brain. This dopamine is also called the “happy hormone” and the “hormone that creates the enthusiasm for living”. When a lot of dopamine is released, it gives positive energy and also raises the activity of the parasympathetic nervous system.
Continuing Kikuchi-sensei’s book ‘Strongly, beautifully,….
Chapter 4
4.5 Words to enter a switch
“You’re alright, so just do carefully one by one,” this was what I said to him before the free skate at PyeongChang Olympics.
“Have confidence, you can do it!” I incited him with this before the short programme the previous day.
In actual fact, “Carefully one by one!” and “Have confidence!” are Yuzuru’s own habitual phrases. (t/n. In Japanese: 「一つ一つ丁寧に!」 and 「自信を持って!」)
2015-16 season, GP series NHK Trophy, it was his first time competing with Boyang Jin (China) who had just moved up from junior level. Yuzuru was very tensed. Before the free skate, he murmured, “It’s alright, do carefully one by one, here we go!” and he flew into the rink. (translator’s notes: At this comp, he set new world records for both SP and FS, becoming the first skater to break 200 points for FS and 300 points for total score. He already broke 100 points for SP at 2014 Olympics.)
Since then, he has often said “Carefully one by one” before a performance. As for “Have confidence!”, not only before a competition but also during practice, he always says that to himself.
These 2 phrases are Yuzuru’s favourite words to rouse himself. Once they are said, the mood switches and the focus is on the performance. That is why I said those words to him right before the short programme and free skating at PyeongChang, hoping to give him some extra composure and calm facing the competition. Having words that can encourage himself is one strong point that Yuzuru has.
4.6 (not translating)
4.7 To moderate the tension before competing
Perhaps due to figure skating being a sport that demands expressiveness, Yuzuru can express emotions* very well. (*t/n. 喜怒哀楽 = literally “joy anger grief pleasure”.) He always has an abundance of expressions. Frequently moving the facial muscles has a relaxing effect. I don’t know if that child is aware of it but his facial expressions are varied and colourful.
If an athlete whom I am taking care of shows an expression like he/she is worrying about something, I will get them to do 'enforced eyeball movements’.
Put a string from the back of the head to above both ears to the front. Cross it about 25-30cm in front of the eyes and suspend a weight of about 3cm at that point. First, fix your eyes on the weight, and with eyes staring at the weight, use your neck to turn your head side to side. Next, move the weight from side to side, and the eyes follow the weight with the head turning as well. Lastly, keep the head still and move only the eyes to follow the weight that is being moved side to side.
This kind of training can be done in the warm-up before the '6-minute practice’.
People who see this may think we are doing a strange thing. But this exercise is effective in easing tension in the brain. If an incorrect method is used and over-relaxes the tension in the brain, concentration power will decline. The person will not be able to give the fullest display of his abilities in the performance. 'Moving the eyeballs’ training is like an exercise that leaves one thread of tension behind.
In my role as Yuzuru’s trainer, I felt some difficulty in dealing with this tension. I racked my brains and worried over a suitable state of tension for him, but Yuzuru said, “I really like battling with my body that has become stiff with tension.” A rather difficult situation, isn’t it?
(This is the end of chapter 4. Next is chapter 5, last chapter of book.)
Continuing Kikuchi-sensei’s book ‘Strongly, beautifully,….’
If you have not read the earlier parts, please read them first. See my previous posts on tumblr or the master post on FB.
[Partial translation, some sentences are summarised or left out.]
Chapter 3: Work techniques of a personal trainer
3.1. Detecting 'something off’ that the athlete does not realise
Going along for competitions as a trainer, I will get a mail from Yuzuru that says “please take XX flight on this date and this time”; and a few days before the competition, I will arrive at that place about the same time as Yuzuru travelling from Canada. When the competition is over, Yuzuru returns to Toronto for training. I return to Sendai and do my usual work at my clinic.
I feel it is not necessary that the athlete and trainer must be together all the time. Precisely because of meeting only once in a while, tiny changes are noticed.
When Yuzuru’s condition is good, his jumps go straight up. But when his condition is not good, he jumps and rotates in a slant. Just a very slight difference in the angle of the ankle when entering the jump, will have a great effect (of course it is not only this).
And that angle is affected by many things, like the physical condition and the mood on that day. Not only when the condition is bad, even when the condition is too good, the angle can waver. Probably due to putting out too much strength. Of course when there is trouble in some part of the body, or when there is a difference in the feel of the skate boots or the ice, or when the body’s central axis is slightly off, it will cause the angle to deviate.
Whether these slight deviations can be fixed, it depends on the skater himself. But, getting to the bottom of the deviations, to me, is an important job of the trainer.
3.2. Taping by millimetre units
Before going to the competition venue, I always go to Yuzuru’s hotel room to wrap the tape for him. Taping cannot be done thoughtlessly. If it is too tight, it would affect the range of movement of the legs. If too loose, then stability would be lacking.
Firstly, when I enter the room and say “good morning”, I will observe Yuzuru.
As usual, he will say with a smile, "Good morning, sensei, and thank you as always.” But sometimes, the same words are said with a lower tone of voice.
“I wonder if something happened,” I am thinking to myself as I do the taping for him. And usually, at these times, there are more requests to “please wrap a bit stronger”.
“A bit higher please,” he also says sometimes. But this “higher” is only 1 or 2 millimetres higher. His senses are so well sharpened.
“Is this ok?” I adjust the tape by millimetre units and keep adjusting it to find the point of “That’s good.”
In Yuzuru’s case, because he trains to that extent, it is not possible for his body to be always in perfect condition. There are times when there is pain in some part or a discomfort somewhere. Even in that state, to maintain Yuzuru’s usual feeling—. In other words, to do the taping in order to get as close as possible to the feeling that he wishes to have.
At Sochi Olympics, with each wrap of the tape, “Yuzuru, how is this?” I asked. If he said “A bit higher please”, I would adjust it. If he said “Uhn, it’s this feeling”, I would go “It’s ok? Great!” It was like this, back and forth, all the time.
Gradually, from his expression and our conversation, I started to know the difference in his body’s condition and senses on that day; “for his condition today, wrapping should be about this strong,” I would be thinking as I did the taping for him.
Yuzuru’s senses grew sharper day by day. If the taping was out of position by millimetres, he could feel it. I also tried to be more sensitive. To get as close as possible to the ideal feeling for him that could not be expressed in words….. That was my aim.
At 2018 PyeongChang Olympics, every morning I went to his hotel room and I could do the taping perfectly at first try.
At Sochi Olympics, I seemed to be inconsistent with my strength and had to re-do the taping many times. Thinking back now, Yuzuru must have been nervous too. No matter how tightly I did the taping, he said “It’s still loose. Please make it tighter.” Until I even wondered if such an abnormally tight way of taping was alright. I guess both of us were mentally at our limits.
At PyeongChang, however, when I did the taping, each time I asked “Is this alright?”, Yuzuru replied “OK” immediately.
During the press conference, Yuzuru said, “I know the Olympics.” I certainly felt that too. The difference between a person who has experienced the Olympic stage and one who has not. Even I as a trainer could remain mentally composed this time and give my support calmly.
3.3 Warming up by seconds
The warm-up was also worked on and refined. To that child, what is indispensable, is not just to succeed in technique, but also to train a body that can do fluid movements that captivate people.
The basic warm-up schedule is planned but small adjustments are made depending on how Yuzuru looks and feels on that day.
For example, on the shuttle bus from our accommodation to the rink, when he is in good condition, he will be looking out the window, listening to music, his body moving with the rhythm. But there are times when he is just silently looking downwards. "Something on his mind?“ I wonder.
Based on his physical condition and mood that day, with information from his expression, words, behaviour, breathing and such, I will make small changes to the warm-up.
To put it simply, if one feels nervous, to prevent the body from becoming stiff, make the jogging time longer. If too fired up and the shoulders start to tense up, put more time into stretching in order to calm down. To get the person in the best form for competition, no matter what state he is in that day.
In Yuzuru’s case, it is necessary to think of adjustments in terms of seconds. That is why, during his warm-up, I am always having a staring contest with the stopwatch. If he took more time to do the short jumps, then jogging time will be shortened by 30 seconds. If I think he has accumulated some fatigue, I will extend resting time by 30 seconds. All this is measured by the stopwatch.
But Yuzuru places great care on pre-competition routine. Every time, when approaching a competition, from morning until he enters the competing area, following a fixed procedure is very important to him. Because when you follow a routine, it becomes easy to detect what is different from your usual self.
Once the warm-up schedule is decided, if the sequence and timing is not followed accordingly, he will not be at ease. Even if it’s just a small change, he really hates it. The amazing thing about him is, if the jogging or stretching time is changed just a little, he will know very quickly.
For example, if I extend the jogging time 1 minute more than usual, at about 20 seconds over the usual time, he will ask, "Sensei, isn’t it longer than usual?”
It is good that he is too far to see the time display. I deliberately hold up the stopwatch and say, “No such thing. It’s same as always. Look.”
“That’s strange….” he says, continuing to jog, with a face that’s not quite convinced.
In a way, this is athlete and trainer “deceiving each other”. Yuzuru probably knows that I adjusted the warm-up time, but because he trusts me, he allowed himself to be deceived.
There was once I said to him, “Being your trainer, have to count in seconds!” And that child laughed.
It is quite tiring to be constantly on high alert, paying close attention to his every move and word. But it is also something that I do happily, working as a trainer, I feel there is nothing more meaningful and satisfying than this.
———–
Translated by me from this Japanese book by Akira Kikuchi: https://www.amazon.co.jp (please consider buying it, if you can, to give some support.)
Akira Kikuchi is the trainer who accompanied Yuzu to many competitions in the past. Since elementary school days, Yuzu has gone to his clinic in Sendai for therapy sessions after skate practice. Last year (2019), Kikuchi-san published a book titled ‘Strongly, beautifully, 30 Methods to train’ (my translation from the Japanese title). I read a Chinese translation of some parts. Very interesting to see things from his perspective, and quite touching too, so I decided to translate them to share. Not ideal to translate from another translation but I don’t have the book, and usually Chinese fans’ translations are pretty reliable.
*paraphrased means I summarised a few lines there. *more info means I added notes for myself, and it’s not from the book.
Chapter 1, part 5. The muscles that were forged after the earthquake.
He became the World Junior champion, and also started school at Tohoku High School, and at the age of 15, Yuzuru made his debut in senior level competition. His 1st competition was Season 2010-11 NHK Trophy in Oct where he landed his 1st quad jump in competition and was in 4th place. 2010 Nov was Cup of Russia in Moscow, where he placed 7th. (more info: Japan nationals in Dec, he placed 4th. Then 4CC in Feb 2011, he placed 2nd.)
At the end of his first senior season, the Great East Japan Earthquake happened. (March 2011)
When the earthquake occurred, I was working, seeing 4 patients. My home and clinic felt the shaking but were not damaged due to being on higher ground. But very quickly, the electricity, water and gas were cut off.
[paraphrased: Everyone was worried but preferred to stay on.] I continued treating the 4 patients. When they left, I closed the clinic temporarily.
Soon, people whose homes were washed away in the tsunami or destroyed by the quake took refuge in nearby sports halls. When I heard about this, I brought a simple bed into the sports halls and did massages for the people there. That was how I spent each day.
The reason I did this was because I thought of my father that night after the earthquake. He was a policeman and was very strict with himself. He was upright and always thinking of the safety of others. He lived his life for others and he is the man that I most respect. If father was here, he would definitely go to the evacuation centres to do his best to help……
Giving a massage to people at the centre, I was just doing the only thing I could do.
Yuzuru also went through some hard days.
On the day of the earthquake, he went to his usual training rink 'Ice Rink Sendai’ after school. It was at the rink that he experienced the “shindo 6” earthquake. (More info: shindo 7 is the highest. See this: robintlewis/what-is-the-japanese-seismic-intensity-shindo-scale. On the Richter scale, this is a magnitude 9 earthquake.)
That child felt the strong shaking and I heard that he rushed out of the building wearing his skate boots. Next to life itself, the most precious thing is his skates. Figure skaters always put skate guards on the blades when they leave the ice, they would never let the blades be exposed. Rushing out without his skate guards, he must have been very scared.
Staying 4 days in the gym of a school which served as an evacuation centre, he seriously thought about whether he should give up figure skating.
It was also figure skating that made him pull himself together.
His home rink was damaged in the quake and he lost his usual training place. His coach during elementary school days, Tsuzuki Shoichiro, inquired about him. Tsuzuki-sensei is the one who gave Yuzuru his foundation in figure skating. Before the quake, he was coaching at a rink in Yokohama.
Subsequently, Yuzuru went to Tsuzuki-sensei’s rink to train.
About half a year after the quake, around October, Yuzuru who had returned to Sendai came to my clinic. He told me about what he had been doing.
During that period, he was participating in commercial ice shows and earthquake charity ice shows all over Japan; I knew about this. "For the people affected by the disaster, I want to give them some encouragement,“ I had read his interviews in the newspapers. In the 5 months after the earthquake, he skated in 60 ice shows throughout the country. "I hope that my activities can become strength for the victims”– to have this thought, he must have pulled himself together.
“When I participated in ice shows, I could do some training if I arrived early at the venue, and the intervals between shows also became my own training time,” said Yuzuru, looking straight into my eyes. (more info: usually there are a few shows at one venue, eg. 3 shows spread over the weekend)
After such an unprecedented earthquake disaster, what had Yuzuru learned, mentally how had he changed, all these I was not sure. But the moment I touched his leg muscles, I immediately felt his efforts and I almost cried.
Since elementary school, I had been seeing him almost everyday. Even a small change in his body I would know.
The muscles forged after the earthquake told of days filled with harsh figure skate training, day after day.
Skating in ice shows “for the disaster areas”, and practising fervently in between shows. During the performances, he must have also put in all his efforts so as to “convey something to the people”.
Moreover, the muscles developed after the quake were not only those used for jumping, they were also those for bearing the impact of landing.
Landing on the ice after a jump, the impact on the body can be a few hundred times the skater’s weight. To withstand such an impact, the muscles around the knees, the gastrocnemius muscles in the calf and the tibialis anterior muscles must be sufficiently trained. If these parts are not strengthened, injury will happen easily.
In a short period of half a year, those muscles grew to such an extent. How much jump practice did he do after the earthquake. Falling down countless times and getting up again. How on earth did he train to develop muscles like that.
Yuzuru’s leg muscles are different from other athletes that come to my clinic. His muscles were not developed by specialised muscle training but were formed naturally though figure skating practice. In other words, they are muscles that grew only for figure skating.
Until now, that child still mentions that he “does not know how to ride a bicycle”. In my opinion, I think it is because he does not want to develop muscles except those needed for figure skating.
The muscles used for cycling are the same as those for speed skating. Speed skaters have cycling in summer training; bulging leg muscles are necessary for them.For figure skaters, if muscles become big and bulging, the weight can be a hindrance to jumping. But still, strong muscles are needed to do quad jumps and to bear the impact of landing. [paraphrased]
Yuzuru overcame the earthquake disaster and developed muscles for jumping quads and for bearing the landing impact in a good balance.
Those well-trained leg muscles are the external manifestation of his experience of the Great East Japan Earthquake and his determination to fight as a top skater.
- translated by me from this Chinese translation: weibo
———————–
Chapter 1, part 6. Overcoming pain in the hip joint
The first time I went along with Yuzuru in the team for a competition was in his 2nd year of senior level, the November 2011 Rostelecom Cup (Russia) in the Grand Prix series. Traveling with a team to an international competition as a trainer, it was the first time for me. Not only that, it was also my first time watching a figure skating competition up close. What a disgraceful old man. Almost everyday I listened to Yuzuru talk about all things related to figure skating but I had never watched his competitions live at the venue.
I saw Yuzuru only at my clinic, diagnosing leg problems, applying tape to stabilise ankles, this kind of interactions, the relationship of a therapist and a patient, I felt this was enough.
I had the role of a 'sports trainer’ before, but not for professional athletes. Supporting local high school and junior high students, I was already very content. I had served as 'team trainer’ for the swimming, baseball, and track and field teams of Tohoku High and Junior High Schools where sports is very popular, and went with the athletes for competitions.
Once these children graduated, the relationship between trainer and athlete would end. Those who wanted to continue their sports career, some would leave Sendai, some would get a professional trainer to guide them.
“Rostelecom Cup is going to start, Sensei, can you go together with me as my trainer?” Yuzuru asked me. I answered in a relaxed manner, “Oh, alright."
As an athlete, Yuzuru was steadily rising.
"Whether it’s an international competition or the Olympics, let me be your trainer and take me along!” This was what I said to him jokingly when he was in elementary school grade 4; I don’t know if he still remembers it. But this kind of joke has really come true now, so I was actually feeling rather emotional.
This was also like a commendation from Yuzuru for the treatment he had received so far. “Well, it’s just doing the physiotherapy in Russia instead of the usual place in my clinic,” this was how I thought at that time.
However, at that Rostelecom Cup, at the official practice, Yuzuru injured his hip joint (the joint between hip bone and thigh bone).
The injury was treated by a trainer sent specially by Japan Skate Federation. I was just Yuzuru’s private trainer.
I understood the situation fully when we were back in his hotel room. The treatment for the injury had ended but the pain was still there. I was very sure that it was not suitable for him to do more skating. Even walking would be painful.
“In this situation, it’s better to withdraw (from competition), isn’t it?” When he heard this, he said with absolute certainty, “Whatever happens, I will compete in Rostelecom Cup." Actually for this competition, Yuzuru must win first place in order to qualify for the Grand Prix Final which is for only the top 6 skaters of the GP series. He wanted to compete, no matter what.
From that moment, I felt for the first time that I have "joined forces with an extraordinary world”. Yuzuru was so focused on the competition, “want to compete”, “want to win”, these desires were way above any pain. As a therapist, of course my advice was to withdraw. But as a trainer, I had to respond to such intense wishes of the athlete.
All I could do was to take care of his hip joint. I also taped his ankle, and then sent him off to compete. I knew the pain of the injury was still there.
But, Yuzuru, he did it……. short programme and free skating both were ranked 2nd, but his total score of 241.66 was higher than other strong rivals like Javier Fernandez and Jeremy Abbott, and he achieved his first victory in the GP series.
At that moment, witnessing it with my own eyes, I was crying. Even though he received treatment, his hip joint injury was quite serious. Any jump would be very painful, especially when landing, he would feel severe pain. In spite of this, for the free skate, he made a mistake only for the quad jump, the other 7 jumps were all successful.
For the first time, I realised it was such a cruel world that Yuzuru was fighting in.
In the spectator stands were many Japanese ladies and they were looking at me with a surprised expression “why is this old grandpa crying so much??" But it did not matter anymore, I did not care how others were looking at me, I was crying my heart out. I was so happy….. really so happy.
That Rostelecom Cup was my first experience as a trainer stepping into the figure skating world.
After this, I did not accompany Yuzuru to any more competitions. I stayed in my clinic treating patients, and sometimes I would treat Yuzuru who came back from travels.
After Rostelecom Cup, Yuzuru rose rapidly at an astonishing speed.
For the GP Final, he was 4th, then at 2011-12 World Championships, it was his first time at Worlds and he achieved 3rd place. At the age of 17 years and 3 months, he broke the record for the youngest World Championship medalist in Japanese figure skating men’s history and ascended to the podium.
Then, from April 2012, Yuzuru moved his training base from Sendai to Toronto, Canada.
Before he had overseas competitions, I saw him almost everyday at my clinic. We had been together for the past 10 years. So I would miss him quite a lot.
But it’s for becoming stronger that he went to Canada. For greater improvement in figure skating, he made the decision to move to Toronto. He has already "graduated” from my place here.
“Sensei, I’m going off!"
And just like each overseas trip, Yuzuru set off from Sendai, and started on another journey.
- translated by me from this Chinese translation: weibo
Ballet instructor Christina Valdez was so enraptured by the beauty of Yuzu’s skating that she choreographed 2 ballet dances inspired by him and also gave an online class on the similarities between ballet and his skating. I love watching ballet and I enjoyed her videos a lot!
Beauty, ballet and Yuzuru Hanyu - artistic director of Crescendo Conservatory gives a lecture about the similarities between ballet and Yuzuru Hanyu’s figure skating.
Another ballet-related video: a Japanese professional ballet dancer watches Yuzu’s Chopin Ballade No.1 and talks about it (with English subs). It’s quite funny cos he gushes and is unabashedly a huge fanboy, but with good reason! As he shows us in his video. :) Yamakai TV
A bit more from Yuzuru’s interview after FS at Autumn Classic (2016). I translated some that include one sentence he said. “If not, I’m not Yuzuru Hanyu.” Please note that this can also be translated as “If not, it’s not Yuzuru Hanyu” or “If not, it’s not what Yuzuru Hanyu is.” Because Japanese sentences often have no subject when the speaker thinks it is understood from context, what he said was just “If not, ___ not Yuzuru Hanyu.”
Japanese news reported different parts of his words. Some were badly edited (cut and joined) to make it sound more sensational. I am sharing only the ones that are more well-edited, ie more accurate. I have also put in the word ‘cut’ to show where there was a snip in the video, ie. some words were cut out.
From news videos: 1) “When you see me next, I want to be able to do a performance that you will say, not one but 10 or 20 layers of skin have been shed, we have waited for this Yuzuru Hanyu; I will practise while looking forward to that. [cut] If not, I’m not/ it’s not Yuzuru Hanyu.” (video)
2) “I really need to practise more. [cut] Next competition I will do it with no mistakes. I will do it, definitely. I will practice that much. If not…. if not, I’m not /it’s not Yuzuru Hanyu.” (video)
3) “It’s tough. But even though it’s tough, it’s fun/enjoyable, and I do get fired up. [cut] Next competition I will do it with no mistakes. I will do it, definitely. I will practice that much. If not…. if not, I’m not/it’s not Yuzuru Hanyu.” (video)
So basically he’s saying if he does not practise that much, so as to do a much better performance, then it’s not him.
(my translation; thanks to pino2 for the videos) (a lot of this stems from huge frustration immediately after his FS, but it is also very much part of his character.) (Yuzu, please take good care of your body.)
FRIENDS PLUS -Shizuka Arakawa’s talk show with Yuzuru Hanyu as guest, aired on 29 Feb 2016. The show is almost an hour long, so this translation is VERY LONG. Only for true-blue Yuzu fans. ^^
[Edit (Oct 2020): original video links do not work anymore. Thanks to a friend D, this is another link. Translation starts at 1:50 of this video.]
Intro (summarised): Friends’ Talk between 2 people who obtained first Olympic
gold medals for Japan, 2 people who grew up doing figure skating in
Sendai, 13 years apart in age. Recorded on 17 Jan 2016, after an ice
show.
Yuzu (getting ready) : I am very curious about what headphones the soundman is using.
Shizuka (holds out hand): Please turn. Yuzu: Eh??? I turn?? (takes Shizuka’s hand and turns, then sits down
and laughs) It’s the opposite! I became the lady!! ^^
Shizuka: At today’s ice show, you did a beautiful quad loop. But what
surprised me is not so much the loop, but that after the show, you said
“Oh my legs have reached their limit!” and after that you still landed
the loop! I think you’re the only one who can do that. You are someone
with no limits, right?
Y: (laughs) I am now also practising
quad lutz. When I jumped the quad loop, I was nervous. There were so
many top skaters there. They immediately made space for me and were
watching me, so I was very nervous!
S: When you are skating, do you look at your surroundings?
Y: Yes I do. When it’s a show and there’s just a spotlight shining on
me, I might not be able to see much, but I do look at the audience.
S: I had the image that once you are focused, you will not notice
what’s around you, and you will be just focused on your performance. Y: Before a performance, I will force myself to focus. S: If not, you will notice your surroundings?
Y: Yes. I tend to notice it. In the past, I was even more affected
by it. If the surroundings are different from my pattern for focusing, I
would be thinking, “oh no, I can’t do it, I can’t do it…..”
S:
In the past, I have felt that you’re the type who gets your energy
from being watched (by others) and it enables you to give your best.
How is it now? Y: It’s the same, I think. But the feeling of
others watching you, it gradually changes as you get older. It is kind
of related to results achieved over the years, and the audience are also
changing, the situation does not stay the same. So receiving strength
from the audience, and inside me focusing on things that I must focus
on, I try my best to do the performance that I can only do for that day.
S: So you give the performance each time based on your feelings; the performance changes? Y: Even the choreography changes! S: Oh really? Based on feelings?
Y: Yes. When I receive a choreography, I really like to fit the
movements to the rhythm, drums, percussion instruments and such.
Choreographers have told me that I’m good at that. So it’s different
each time. (laughs) For example, if I land a jump nicely, the
landing will fit with a sound. But if I land it a bit early, I will do a
pose. That’s what I normally do.
[they talk about how the music
sounds a bit different in different places due to things like
reverberation and the sound system of the venue]
Y: Sometimes I can’t hear the music because of cheers from the audience, then I will try to feel the music.
[Song- ‘Be the light’ by One Ok Rock]
Yuzu jumps and turns in the air. Then he laughed heartily and clapped
because they told him his head was out of the camera frame. (he jumped
too high, haha….)
About choosing music, Yuzu: There are many types to how people
choose their music. There are people who need to play the music in the
rink to know (if they want it), and there are those who will just take
it when they receive a piece of music. Some will spend time searching
for something they like. Many types. I am the type that can decide very
quickly when I listen to a piece of music, “yes this is it.”
Yuzu: For Seimei, at first I had no image at all in my head.
When I first heard the Onmyoji soundtrack, I thought : Ah the flute is
beautiful. So I was attracted by the flute sound at first and I thought,
shall I try this? Since I have a *court noble’s face* anyway. (laughs)
[*means typical Japanese face]
S: It really suits you.
Y: I also felt the character (in the movie) was not bad.
S: I thought it was hard, putting that world view in 4 and a half
minutes, and conveying it to people all over the world. Was it hard?
Y: At first, it seemed a bit flat. Of course, the music is very
beautiful, there are sounds of the taiko and such, and there is
variation, but still, the music is considered a bit plain to some
degree. So when I got my choreographer, we tried different things with
the percussion instruments and the Japanese taiko and the tempo. We
worked on it quite a lot.
S: That’s why it feels very original.
Y: Yes. If you listen to the original music, it seems like a different piece of music…… So that was interesting.
Narrator: Naming it “SEIMEI” and participating in the editing of the music himself, it became a programme that’s one of a kind.
Yuzuru x EVOLUTION [10.20~15.55 of video]
S: When you were younger, in your free skate, it feels like you
have not enough energy for the 2nd half, because you are always giving
it your all, but now you can maintain your energy right to the end. Is
it because you managed to pace yourself or you have increased your
stamina?
Y: I think it is something to do with technique.
Although it has been said from way back that I have no stamina… When a
jump fails, it takes up a lot of energy, doesn’t it? So when the
success rate for my jumps improved, maybe mentally I am doing it with a
bit more ease. And I don’t use unnecessary energy when doing jumps. The
way to maintain my body axis, the way to take-off for jumps, I think I
have become a bit better in these areas
S: Do you gradually adjust based on your own feelings?
Y: For my jumps, I do have an ideal form in my mind. That ideal is
probably based on the thinking of my childhood coaches and also what I
have seen in top skaters’ jumps, it’s a combination of various things,
so I will think and adjust based on my feelings. But there is also my
coach and people who have watched me skate for a long time. I will ask
for their opinions. Then, plus my own theories, I will adjust, let’s try
doing this or let’s pay attention to that.
S: You are always
evolving in your jumps, which I think is amazing. Plus there is also
skating and spins. How do you practise these parts? Y: I think it is based on the foundation that I accumulated from young.
S: I’ve always thought your spins are really great. Spins get better
with practice. So I am wondering, how much do you practise spins? Y: One week about 5 minutes… (covers mouth and laughs) S: Really??? Y: Really. I spend time on skating and steps, but for spins I don’t spend much time practising it. It’s like that, isn’t it? S: That’s true. It is usually left to the end. I feel that you are very good at grasping the essentials of the movements.
Y: I loved spins when I was young. I competed with peers like Ryuju
Hino and Han Yan at that time. Their spins were very fast! When we are
small, our spins are much faster, isn’t it? And also, around that
period, I met Stephane Lambiel, at Katsuyama Rink. [Sept 2006 Champions
On Ice] S: Oh you met him when you were a child! Y: Yes, when my hair was still like that. (gestures around face with hand) S: (laughs) Yes I remember.
Y: At that time, I really loved spins….. and my Biellmann was
decently fast. Decently fast. (laughs) I did spins together with
Lambiel. I think that was very encouraging and motivating.
Yuzuru x FLEXIBILITY
S: In the past, you have said that your flexibility is something you
were born with. Flexibility can mean less stability in movements…. Y: Yes. When I was small, I could not jump well at all. S: Because your range of movements is so wide, it’s hard.
Y: That’s right. My 2T was the last among all the double jumps. But I
got 2A quite fast. Toeloops, and 3T, I got them very late. My muscles
were not sturdy at all. My toe jumps would all be off….. S: Now you give the impression that your body is much stronger, you don’t sway anymore.
Y: This season, after Skate Canada, I started to do some simple
training, 5 or 10 minutes each day. But it is not hard training….so I
think it has just enabled me to use my body well.
[16.10~22.10 of video]
Half a year before the Olympics (18
years old), he was a guest on this show. He said: I have 2 kinds of
feelings towards the Olympics– I am looking forward to it and I am
anxious. Because it’s my 1st Olympics, I am really looking forward to
it. But precisely because it’s a big thing, I am also anxious. So
these two feelings are mixed together and are in the right balance, I
think. It’s hard to describe it well.
Narration: Then at his 1st Olympics, he became the 2nd person in history aged below 20 to win that gold medal.
Yuzuru: My desire to get the gold medal was very strong. My SP was good
and I felt very good. My thoughts after having actually competed in
it: although the environment is totally different, the things you do are
the same. You don’t specially change the way you warm up just because
it’s the Olympics, your past experiences also don’t disappear. I
didn’t win the Olympics with a perfect performance. If I had won it with
a performance like this season’s NHK Trophy or GPF, I may have felt
more high. But I failed on the salchow and the flip, I made
various mistakes. So rather than feeling that I won the Olympics, it
felt like I won another competition where I found problems to work on. I
still have that image.
S: You won the Olympics, then you
became Worlds champion, the interviews and also things outside of
skating increased, you had to think about many things, and then the next
season came quickly, this could be the most difficult I thought. How
did you handle it?
Y: Yes that was very difficult, but then the collision accident happened. (laughs) [Nov 2014 Cup of China, collision with Chinese skater]
I was injured in China, and that unexpectedly freed me. Before that, the title of
Olympic champion kept coming… “as an Olympic champion…., as an
Olympic champion….” When I had the injuries, it made people very
worried and it also left bad images; but conversely, thanks to it,
instead of being the champion, the thought was I must “resurrect”!!!
S: The thought that somehow I must overcome this situation….
Y: Yes, that thought was the strongest. I did overcome that season, and
so to some degree, I have put aside the Olympics. In the end, I got a
silver at last season’s Worlds. Even though I won at GPF and I won at
nationals, it does not change that silver. So that is something for me
to chase after.
S: You are always turning things into something positive.
Y: Yes…. but sometimes I do get affected for some reason. For
example….. recently, at the nationals in Sapporo; when I was there 3
years ago…no, 4 years ago, my SP was clean but the free, the quad was
not done well….. I can’t say that I was not affected by those
thoughts. [2012 first win at nationals, SP 1st, FP 2nd] [2015 4th straight win at nationals, but fell twice in FP]
S: Really???
Y: Yes. And how do I say it….. there are times when all I can think about is failure.
S: So there are times when there is a negative Hanyu?
Y: Yes… there are times when I become very negative, to the extent
where I want to reject everything and I become withdrawn. (laughs) But
maybe because I do love skating after all….
S: So once you go onto the ice, your feelings change….
Y: Right. When I go onto the rink, basically I have not felt “I can’t
do it, I can’t do it” while I skate…. and I love jumps. Doing a
performance, it’s the only time when I can do as I see fit. How much
can I concentrate, how is my body condition, how is my mood… all this
will emerge, isn’t it? Of course I am also supported by everyone. I
really love times like that, being able to do as how I would like to. In
a way, it seems a little isolated. But there are people who support me
and cheer for me, people who are directly watching me. So I really love
that.
HOBBIES. [24.00~27.56 of video]
S: I’ve always wanted to ask, what is the energy that sustains that slender body of yours? Y: Mmm……. Hobbies. Will you ask about that? S: Yes I will ask about hobbies. Y: It’s enough about hobbies already, isn’t it?? (laughs) S: Last time, you said you were obsessed about earphones. Y: It hasn’t changed. S: It hasn’t? Has it evolved? Y: It has evolved in terms of price. (laughs)
She asks him to recommend one kind of earphones, he thought for a while
and said it’s hard because there are so many that he wants to talk
about. Then later he said there are headphones called HD800. It is
good for his FP music because there are flute and taiko sounds and he
really loves the reverberation of the Japanese music instruments through
the earphones.
S: When you listen to it on your earphones, the
effect is so good and you can enter into your own world. But then when
you listen to it in the rink, the feeling is so different…. have you
felt that way? Y: I will create the feeling, at those times.
Y: As a hobby, I listen to rock, J-pop and various songs that I love. I
will sing along and get really high all by myself. I often do that,
right? (laughs) S: Yes! (I’ll be thinking) Ahh he’s really into it…..
Y: I will get really high and I will enter into that world. Then,
when it’s on shuffle, sometimes my own (skating) music starts to play, I
will think, “It’s here!” S: I’m the type that will skip it immediately! Like “oh no, why is it playing?!” (both laugh)
Y: I will think “Yes! It’s playing!!!” Then as I listen, the image
in my mind grows, and sometimes I find something unexpected. How do I
put it….. Precisely because it is my music, I sometimes make new
discoveries like “ah the sound is like this!!!” Those are the happiest
moments. (I will think) with this sound, this movement might be better. Like for
exhibition programmes, (I will think) ahhh with these lyrics, the
choreography can be this way. I will get various inspirations.
His #1 form of relaxation:
Y: There’s a game I’m crazy about. I play it… and I escape from
reality.(laughs) It’s called Monster Hunter Cross. It can be played
online, so I play with my friends.
FOOD [from 28:05~] S: Do you eat well? Y: Yes I do…. I think. S: What do you like?….. What food energises you the most? Y: 'Nabemono’ (hotpot food) It gives me the most feeling of the food going into my body and spreading throughout. I also like 'sujouyu’ (a dipping sauce of vinegar+soy sauce) and 'mizudaki’ (chicken and vegetable hotpot). [see pic below] Lately I’m addicted to 'yudoufu’ (tofu hotpot). S: So healthy!
Y: I was having breakfast at a restaurant that had delicious tofu, and
there was 'yudoufu’. It was really good. Then I went to the convenient
store and bought a lot of tofu to eat. S: You really love tofu! Y: Yes I do, and it’s also very good for the body. S: You also give a feeling of being very smooth and fresh like tofu. (Yuzu laughs) Y: And also soft and flexible. (laughter)
But way back, I was not called tofu. I was called konnyaku (a food with
texture of firm jelly). I think it was my first nickname after I
started skating. Teachers always called me that. Konnyaku. S: But now it’s konnyaku with a core. Y: Ah yes, there’s a bit of core. (laughs) S: Isn’t it? Your body/torso has become much stronger.
Source of energy [from 29.44~]
S: Although you are slender, your body is very strong. But you are not the type that eats a lot and gets the energy from there, so what is your energy source? Y: It’s difficult to answer. I have thought about it too and I still don’t know. S: Even when your body condition is not very good, you still have a lot of energy…… where does that come from? Y: There are times when my body condition is not good and I look tired, right? S: It is tiring! You always put in all your effort, every time, even during practice. And definitely during rehearsals too. Y: Yes, during rehearsals, I will do all the jumps. S: Jumps and spins…. and dance at full power. Y: And skate at full power. S: I get worried for you. Y: Well…… maybe because I really love to skate, I can do it to that extent. Even when my fuel is almost burned up, as long as there is the feeling of being able to jump and there is the feeling of wind as I skate and there are moments of emotional release….. I love that and so I just do it without thinking too much beforehand. S: That is highly efficient! As you skate, even as you are getting tired, you are still charging. Y: I am most at ease when I’m skating. S: You’re like an energy-saving car. You can get charged while you’re running. (laughter) Y: Like a hybrid. Running on gasoline and battery gets charged at the same time. (laughter)
Y: Sometimes, in between two ice shows, I do some practice. S: Normally we don’t do that! Y: Because I’m feeling too frustrated (with a jump) and so I want to practise. S: Occasionally I have seen you doing that. Y: For example, I fell on a quad in the first show. Once the show is over, I will immediately practise the quad. Then I come back for the 2nd show feeling quite tired. And then I don’t do very well at the opening and finale. Only my own solo performance is ok. There were times like that.
S: But still, in that slim body, the energy you have is amazing…. You seem to have a lot of adrenaline. Y: Yes maybe I’m that type. S: …and you always want to put on a good show for the audience. Y: I don’t really feel embarrassed when I fall. Of course if I fall during the opening, it’s very embarrassing. (Yuzu remembers one time that Shizuka fell during the opening and they talked a bit about it. She said, you remember so well my embarrassing moment!) Y: Regarding my jump challenges, I feel quite proud of it. If I fail on a jump, I will feel frustrated, and I hate it, but I will still want to do it.
QUADS [33:48~] Narrator: It was 5 years ago that he landed his first quad at an ice show. Now he is challenging a new kind of quad.
Y: Quad loop. I took a long time to get the 4Lo. I did it during the summer ice shows but many were falls. S: It’s best to do the loop without using much strength, but when it’s a quad, you have to put in a certain amount of strength. But if you go a bit more inclined, it will fail. So that balance is very difficult. Y: Yes it’s difficult. S: I also fail at the 3Lo sometimes. Y: It’s okay. I even fail at the 2Lo sometimes. S: No you don’t! (laughs) Y: At practice, after my blades have just been sharpened or I have just changed my shoes, when I do a 2Lo with my hands stretched out, I often fall. S: Really? Y: Yes… I will go waaaaa……. (moves like he’s falling)
S: Talking about this, you have gained much better control for your salchow now. Y: Yes, I don’t fall on that much anymore. … Maybe it’s because my body is stronger or maybe the way I control my body is better. S: In the Olympic season, when the feeling of wanting to jump is very strong, you bend too much and the edge is too inclined, then you fall. Y: As I enter the jump, even when I’m thinking I can do it, the moment I take off, I know it’s going to fail. I will try really hard, but I will feel myself falling. When a jump is not good, it is very tiring, because you try so hard to turn (to save it).
S: Watching you, I feel that you jump quads without putting in strength. Y: Some jumps, if you use too much strength, you can’t turn properly. Like loops. S: Ah yes, loops and salchows, if too much strength is used, it will result in a fall. That’s why I think it’s so amazing to master that.
Y: The 1st triple jump that I could do was a salchow. I like edge jumps more than toe jumps. So I think my salchow should be more stable than my toeloop. I can make use of the centrifugal force, and also I like jumping with the axis established, I like the 'shuu~~t’ (gesture upwards). So when I first started practicing salchow and loop, I felt the stability.
PROGRAMS [from 37:20~]
Shizuka: Is there a genre that you want to try now? Yuzu: Genre…… I want to try jazz. But not for competition. S: Oh, for ice shows? Y: Long time back, during novice, I used 'Sing Sing Sing’ for a short programme, and I also used it with vocals for exhibitions. We also use it for skating time. I really love this song 'Sing Sing Sing’, and within me, it has become a standard song. (laughs) This kind of song, with a very light feel, I would like to use it again. I also want try more 'kakkoii’ (=cool/attractive) type of music. I am already using 'rock’, so I just want to try something different, like movie music, or some other 'kakkoii’ type of music.
S: Even if the same song is used, as we grow older, we accumulate more experiences and our expression of it will change. Like if we do the same music that we did a few years ago, it is very interesting. Y: Yes. Like me too, before we had decided on the music for this season, and also during holidays, when I just need to move my body, I will play all the music that I have skated to before. I put them on shuffle. Like 'Firebird’ from junior days, and 'Paganini’ which was used when I won Junior Worlds, and also music from novice period. I will skate to all of them. I still remember most of the choreography. S: But the little details will change, right? Y: Yes. 'Ah so the music had this meaning, and that is why the choreography was made this way!’ I would have this kind of discoveries. I really enjoy myself while doing this.
S: It’s still 2 more years to the Olympics. I don’t know if you have thought about the music you want to use. Is there any music that you think you want to use for competition for that important season? Y: I don’t know yet. In this one year, I want to try widening my range, not only in terms of music styles, but also in my expression. And then from there, I hope to choose something that most suits myself.
NEXT OLYMPICS [from 40:33~]
S: Having gone through one Olympic Games, have you thought about how you will be facing the next one? Y: Mm. I think maybe nothing very different from the competitions up to now. Having experienced it once, it is not so much the anxiety and excitement of facing an unknown world; I did it once, and I got it, I got what I was aiming for. I will dare to boldly take it on again.
S: The expectations will be different from the last time. Is that expectation a pressure to you or is it an energy? Y: The expectations of people, like saying 'the 2nd straight win’, the expectations are of course very big. When I won the gold, I was 19. Now I am 21. I will continue to experience more things and develop in my performance. The pressure can become a strength, and the expectations can also lead to nervousness. But everyone is on the same stage, we will all have the same nervousness. So it’s not very scary. S: Really? Amazing.
S: Many people think in the right way, but are not able to put that thinking into action. But you always put your ways of thinking into action. I think that is really great. Y: Maybe it is not that I think and then I do it, but I do it and then I think about it. (laughs) … I will justify/rationalise it. Theoretically speaking, if you say negative things, it has a negative impact inside you. So I don’t think too deeply about certain things.
Y: The Olympics is like a culmination year. I have only experienced it once, and so maybe I have not fully understood this meaning of culmination. To me, the Olympic stage is not just about these 4 years, but my whole competitive life. So in my life up to now, what can I express, what have I experienced, what do I want to express, I hope to figure that out.
A question for Shizuka Arakawa: Yuzu asked her about pro-skating. [43:34~48:20] -translated by Echo Cheng in YH Int’l Fan Group (click on link to read)
FROM HERE ON [49:21~] S: Based on your own feeling, how much more will you progress/ evolve? Y: First of all, I want to do jumps up to the axel. S: Quad axel??? Y: Yes. Doesn’t matter if I put it in competition or not. S: Just to challenge it, to be able to jump it. Y: Yes. I think I can do it on its own. S: You look like you can! Seeing your kind of 3A…
Y: But I will need time to practise, and another thing is, there are risks to the body. When I first practised 3A, not so much injury but there was some damage to the body.
… I don’t know if I can really do it, but to me, to master thoroughly the jump as a skill, I want to work hard to do jumps up to the (quad) axel.
… Now, jumping the lutz, and I am also jumping the loop; the skill level is gradually going higher. Like what Plushenko-san has said before, 100 years ago, people were jumping singles and doubles. When I heard that, I thought, ah yes it’s true. As the era changes, jumps and other skills also change along with it. Like at Vancouver and Torino and Salt Lake and also my own era of Sochi, the characteristics of the performances at each period are so different, what the skaters are aiming for. I thought it was so interesting. And also I thought I have to be someone who can pull that along (ie. raising the skill level).
S: I feel that you place great importance on achieving things one by one. What is right ahead for you at this point? Y: Well…. in actual terms, I don’t really know what my limits are. There are still many things that I want to do. S: You are a person whose limits are not visible! Y: Yes, I feel there is still lots more I can do. Of course for jumps, ….and also for movements. Each movement can be polished further… I have been working really hard on that though. (laughs) S: Oh I can see that! Without practice, you can’t perform like that, that I do know. Y: Like a soft expression or a strong expression, much of it is still not good enough, like the posture is bad, POSTURE is bad (sits up very straight and laughs). S: (also straightens up) Everyone is suddenly sitting up very straight! (laughing and gesturing towards the camera/studio staff)
Y: (laughing) So yes, in areas like these, I can do better. Even in ballet, there are different types, like modern, classical and jazz. But it’s not just about that. As skaters, within the framework of figure skating, how do we show it in the most beautiful way? We skaters are watched by the audience from all around, 360 degrees. From any angle, at any time, any photo taken will still be beautiful, anything that we want to express can be understood, I want to become a skater who is like that.
S: But I think you have achieved that in your performance. I think it’s beautiful from any angle. Y: It’s better now. A long time back, I had the roughness of youth, but that was also put to good use at that time. At the Sochi Olympics period, I still didn’t know which direction I should take, what kind of expression would suit what kind of music. I felt I still didn’t know how to control myself. But this season, my free programme SEIMEI gave me a very good opportunity; I had a talk with Mansai Nomura-san. I discovered things like, oh so I have this way of expressing it, I have this expression, this way of going with the sound, the use of space/pause…. I really learned a lot.
TOWARDS WORLDS 2016 [from 53:57~]
S: World Championship is coming. What are your thoughts? Y: I had the honour of getting over 300 points, so I will aim for that again. But on top of that, I have to do a performance that’s of even higher quality. If I put in the 4Lo that I’m practising now, but if the quality of my performance isn’t better, the points are not going to increase. (laughs) … 4S and 4Lo, the difference is only 2 points. Whether I should do it for these 2 points, that’s the difficult part. But then, it is not merely about points. I want to challenge my limits. As I continue to skate, this kind of era is coming, these 2 years. So the loop, the lutz, the axel if I can, I will increase the kinds of quads. And also, the quality of the programme, the affinity with the music. As a competitor, I will seek to improve on all these aspects.
(note to OOR fans: One Ok Rock’s 'Be the light’ plays in the background.^^)
S: Thank you very much for your time with us today. Please take care of your health. Y: Thank you. Yes I will. S: Why do I worry about you like a mother? Like, are you eating properly, are you well…. (laughter) I just want to see a healthy Hanyu-senshu in the rink again. Please take care of yourself. Y: Thank you. I will work hard.
~To everyone who has always been supporting him~ Y: Hello, I am Yuzuru Hanyu. This season, having had 2 (sets of) good performances straight, I am very happy. But this is not my limit. I will continue to improve. Please give me your support.
[translated by me] [much thanks to video uploaders]
Some numbers from Yuzuru’s victory celebration parade (22/4/2018) in Sendai…..
1) The temperature of parade day was 29.9°C, the highest ever recorded for April in Sendai. The next day, the temperature fell to 14°C and it was cloudy with brief rain. (*thank God for good weather on parade day!*)
2) Yuzu received the total of ¥10,000,000 /approx.US$93,000 (¥5,000,000 from Japan Olympic Committee and ¥5,000,000 from Japan Skate Federation) as the reward for his Olympic Gold. He donated the whole amount to be used for the recovery from the Great East Japan Earthquake/Tsunami (¥5,000,000 to Miyagi prefecture and ¥5,000,000 to Sendai City), at the ceremony before the parade.
He did the same four years ago, after Sochi Olympics. At that time, the money he received from JOC and JSF was ¥6,000,000 in total, and he donated it all as well.
(Btw he also donates all royalties he receives from his 2 autobiographies, ’Aoi Hono’ 1 & 2, to Ice Rink Sendai.)
3.a) Yuzu’s parade T-shirts and wristbands were manufactured and sold to cover the cost of the parade. The T-shirt is ¥2500 each and they made 80,000 shirts, and 70,000 shirts were sold by the day of the parade. 70,000 x ¥2500 = ¥175,000,000 /US$1,623,500 b) The wristband (a set of 2 wristbands, purple and blue) is ¥1000 /set and they made 10,000 sets and all were sold out on the day of the parade. 10,000 x ¥1000 = ¥10,000,000 /US$92,800 a) + b), the sales of those items were ¥185,000,000 / US$1,716,300 in total. In addition to this, many people donated for this parade and their donations reached ¥20,000,000 /US$185,550. (note: these are not the final numbers as the amount was still going up at the time of original post)
【¥205,000,000 /US$1,902,000】take away【the material and labour costs (yes, it gave a good influence to the local economy too)】was the profit = fund for the parade. If it is more than the actual expenses for the parade, the rest will be used for the recovery of Tohoku. (They did the same for the parade after Sochi).
4) Over 100,000 people (the official announcement is 108,000, but many who were there say the number should be higher!) turned up for the parade, and 1000 volunteers were ready for the after-parade clean-up, However, hardly any rubbish was found on the streets. Yes, almost zero rubbish!! (*I’m so proud of us! haha*)
5) Another interesting figure… according to the TV program ‘Kininaru’, Yuzu said “arigato” more than 294 times on the parade van! xD
********
Translated by Shuko Doyle, info from yahoo.co.jp and other Japanese media sources. Much thanks to Shuko for giving me permission to share this in my blog; original post in YHIFG. Pic credits are marked on each photo; last 2 photos (showing sale of T-shirts and wristbands) are mine.